Most radical is Maria Sezer from Turkey, who in her After the Equinox is attacking the whole biennial culture as an expression of overconsumption and useless waste of resources. Sezer, for this reason, refrained from travelling to Lulea and instead she let a local assistant build an installation according to her directions. It is a thoughtprovoking piece, which with it's low-voiced severity sums up the ideas of the biennial about circulation and responsibility. On the flight home, I sit for a long time thinking about how the global art will change when the oil one day will cease. I for one think that it can be quite interesting.

DN. Kultur/ 9-8-2005, Dan Jönsson